If you edit audio so much in a way that would even require Sound Forge or SpectraLayers, then I'd actually say you should buy this more for Samplitude and do that work there - not in Cakewalk by BandLab. You could possibly save yourself $2,500+ (or a lot of time trying to fudge this kind of work in Samplitude). For that kind of work, Pyramix Pro is closer to Sequoia at Samplitude Pro X4 Suite's price point than Samplitude itself. If you are looking into getting into recording orchestras and editing that kind of music, then you should investigate Pyramix Pro, as Samplitude lacks 4 Point Editing and Sequoia is hilariously expensive. If you only need SL Elements, then just buy that at half off ($40 or so). I would buy Suite if you think you need both SL7 and SFP13, though Steinberg has a 50% off sale for SL going at the moment. I wouldn't buy it for production (well, I did, and regretted it), unless you mainly do acoustic music recording (naturally, it is very good at that). Samplitude is actually a better workflow for editing audio than for music production □ ![]() Sound Forge is so utterly redundant that it is going to be an effectively value-less product bundle to most buyers. ![]() The MSRP exists only to make the sales prices look amazing.ĭon't know why they bundle Sound Forge Pro 13. The only reason to use Sound Forge Pro instead of Samplitude to edit Audio is for automatic zero-crossing snapping Samplitude has a solution, though not as elegant). You can buy it on sale 7-9 months out of a year. Samplitude goes on sale weeks after release. Samplitude will be aroundįor a long while.they usually do this right before a new version hits. Sequoia, which is their Nuendo", and Magix does TONS of other software. Magix does this all the time.they're not going anywhere any time soon! They make the high end
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